We can see the extent the Jew’s usurp a civilization created by others, or to be more accurate how they corrupt it, if we look where he is seen most frequently, in the art which depends the least on personal originality and requires no original invention, by which | mean the dramatic arts. Even here, he is really only using tricks to re-arrange the work of others, he can more correctly be called a monkey-grinder (Meaning the organ-grinder man of the time period, a street performer of questionable morality who cranks a barrel-organ playing a repetitive tune as his monkey collects tips from the crowd.) He lacks the final touch of greatness or flair which is necessary to produce a truly great work. He is not the brilliant creator, but the superficial imitator, and all his retouching and little tricks cannot hide the fact that everything he produces lacks energy or life.
Then the Jewish press provides its loving aid and shouts such high praises over every clumsy and inadequate performer, no matter how mediocre, as long as he is a Jew. The press makes him sound so amazing and wonderful that the rest of the world is fooled into believing it is in the presence of a real artist, but in truth, the man is nothing more than a low-class mime. The Jew possesses no civilization-building power. He has none and never did have the idealism required to improve and develop mankind. Consequently, his intellect is never constructive, but will always be destructive.